piątek, 18 października 2013

Thirunelly temple – the embodiment of a myth (wersja w j.angielskim)


 Thirunelly temple – the embodiment of a myth


As observed by Eliade, living a myth is  the unique experience of a human being – one ceases to exist in the  everyday world and enters a transfigurated world- the abode of the supernaturals. In that very moment one is not living in chronological time but in primodial ,sacred time . Living a myth is an act of immersing  oneself into the ocean of dream- the eternal dream.

A guest was walking alone . Green, wind-swept expanses of a grassy plateau closed around him. He looked around evidently afraid of  someone or something. The path took him into a windy valley sheltered by whispering trees.  He continued his stroll passing a rockery made of  old , wrought stones inlaid with  auspicious mantras. Finally he found himself standing in front of a temple. The old building of ancient, wooden walls was sitting plumply on a secluded  hilltop.  Main massive doors hissed opened and an aged brahmin appeared clad in snow-white dhoti. He greeted the guest and welcomed him to the Thirunelly temple.

Thirunelly kavu  is one of most important Vishnu temples in Kerala. Called also ‘Sahyamala Kshetra’ is  situated amids the Wayanad expanses in a serene, forested area. According to the legends, it was built more than three thousand years ago and the main idol of Vishnu was installed in its  ‘garbha griha’(sanctum sanctorum) by Brahma himself. This sacred place is said to be visited and sanctified by many seers and gods including the heroes of the Ramayana .

The temple,sitting proudly among windy vales, charmed the guest. He greeted the Brahmin with a short nod. It was almost 4pm and the preparations for daily puja were about to start. It was a duty of young Brahmins to light up dozen oil lamps in front of the temple and to pray for the devotees gathered in front of them. The lamps’  glows   danced on  surfaces of  stone deities, petrified near the main doors. Some pale ascetics performing elegently their pradakshina, carefully moving step by step from one shrine to another. The whole structure of the temple astonished the guest:the massive, ornamented stairs leading to the blackness of sacred interior projected elegant technical finish.

The place seemed unreal. The gentle wind. The warm ground under his feet. Wooden embelishments of the temple resembling cows’ heads  ablaze with the sun heat.

 The sun was lazily bliking on a smooth, clouded canvas of the sky when a group of devotees stepped inside the sacred complex.

The guest was standing silently, looking at lamps being lighted, flowers and fruits carried to the main deity.The tourists took few snaps of Namboothiris placing ghee on the reliefs of the smaller shrine. There was something special, thought the guest, about mantras being reciting among serene expanses of Wynad park. Old Vedic and Vaishnava mantras repeated in a low voice. One after another. ‘Mathurya’- thought the guest, recollecting what he has read about an Indian thinker Abhinavagupta and his theory of literature. According to the Abhinavagupta’s thought  the real poetry is the one that is charming to listen although being heard thousands of times over. The famous philosopher called that unique feature of poetry – “mathurya” – the sweetness.

In the dim light of oil lamps gods were invited  like noble guests. When a pujari(sacrificer) was performing his duties invoking deities and blessing the devotees, few youngsters strolled down the path leading out of the temple.  In a lavish beauty spot they suddenly found a small but charming stream embelished by a fragile,stony dam. In a shade of  Brahmagiri slopes the whispering brook reflected all the colours of its natural surroundings – grey rocks, old, reddish tree trunks covered with  mud, the greenery, the yelowish sun. A screeching wind combed a field of reed situated beyond the holy spot, where tribal communities gather to collect medicinal herbs. Herbal medicne and ayurvedic treatment was known to  those tribal people for  many generations. However, seemingly afraid of civilized world, they kept their knowledge to themselves.    

 The waters of the brook  were said to clean every kind of impurity  - they were a remedy for diseased but they also purified the sinners granting them an eternal bliss.

The guest walked  through thickets ,passed the  half-rotten trees and strolled near hatched boulders resembling faces of minor gods worshipped in the Wayand district from the times immemorial. He immersed his hand in the waters to feel its sancticy. The sudden gust of wind thrilled the guest. The clean blue  colour of the brook and navy of the sky were welded together without a joint.

The sun was sinking slowly below the horizon. The melody of mantras was still echoing in the wild forest. 


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